The Pomegranate: Love and Women Poems
A collection of poetry written by Ada A. Aharoni, Ph.D.
International President of PAVE PEACE Association and Coordinator of the International BAN - WAR CAMPAIGN.
Copyright 1997 - Ada A. Aharoni - All Rights Reserved.
Page Last Updated: October 30, 1997.
Contents:
1 - LOVE POEMS
Cakes and Poems
In The Sun
Mount Carmel Pomegranates
The Marriage of Science and Poetry
Broken Wing
David and Bat-Sheva's Cave in Ein Gedi
Clouded Almond Flowers
Twigs Not Roses
The Slits On My Arm
One Way Journey
Will Transplant
Psychological Wooing
The Three Gowns
Chest Protest
Your Name
The Swan Search
Interior Camera
Four Mad Dogs
Your Real You
Seaweed
Helen Caldicott
Silver Mosaic Stone
Silver Wedding Rainbow in New York City
Common Bloodstream
Fragile
Hard Nut
Sunflowers
The End
To Leave You Now
2 - WOMEN POEMS
Woman of No Time
Assa and Farah of Isfahan
Muffled in Your Halachic Caresses
A Ladino Song
Real Abishag
Lost Living Goddess of Nepal
Loss of the Milky Way
Mexican Amanecio
Las Mananitas
Daughter of Sinai
Massada
Arturo's Rubenstein
If a White Horse From Jerusalem
3 - A GARLAND OF GRAIN
Mamica
Graffiti Under the Table
From Grandfather Papou to Grandson Idan
Time in Abadan: Homage to Omar Khayyam
Dear Descartes: Creativity
Saul Bellow: Get Out From Under My Pillow
Not Old: Saul Bellow Indeed Knew
Spineless Academic
Take Us To Soweto
In Your Museum
Papyrus Fan
Mimosa Equality
A Jewish Woman's Prayer
Daphne
Love Games
Crumpled Curtain
Mother, Kikuji Is Again With the Geisha Girls
Chameleon
Not Even On Her Birthday
Free Lioness
Upright
Shani
The Roger Dance
Triple Thread
Idan and the Waves
Part One
LOVE POEMS
Enjoy life with a woman you love
all the days of your life.
Ecclesiastes 9:9
Cakes and Poems
You brought the cake,
and I the poem.
We read the cake, and ate the poem.
My wishes pass
as through pierced ear-lobes.
So much helpless groping
to keep us more together,
to walk beyond the sidewalks.
To make whole.
I see a postage stamp world
where your postcard
has not arrived.
Sometimes a green bile stone,
sometimes a song.
White magnolias break into my night.
Above all it is your sound I hear.
I drink the dawn.
Your sound is a calm river
of copious silky kisses.
Laughingly, our glances lock.
It is almost worth parting often,
to meet again.
I blow the Shofar.
You will go on bringing the cakes,
and I the poems.
In the Sun
She took him
to the sun
with a pigeon
on his shoulder
a smile in his eye
a song in his ear,
clutching his throat
through the woods
of trembling --
where he fell in love
with his sun-laden dream,
a ring of laughter
on his finger,
a fragrant kiss
his moist fresh
life.
Mount Carmel Pomegranates
The trees smile, the trees laugh, the trees sign,
and every pomegranate on Haifa's Mount Carmel,
peals its love song:
take her tenderly by the hand
wherever you go,
she is part of you
we are witness.
The trees whisper,
the trees weep,
the trees sleep,
when he goes
and leaves her smile behind,
awakes at morning
in a snow land
kissing his own
cold hand...
The Marriage of Science and Poetry
"For the sciences of nature... man, once again, meets only with himself."
Heisenberg.
Mr. Heisenberg, notable shadkhan,
Science to Poetry benevolently presented.
For Science it was love at first sight,
but while he persisted the lady held back and desisted.
"Our impulses are parallel," he argued and pleaded,
"Although our methods and tools are divergent,
we both want to probe the actuality of things
to investigate phenomena beyond their surfaces.
We have so much in common! For one thing,
we both use language to communicate."
But, retorted dainty poetry, "You follow the star of stern objectivity
while I prefer more intimate subjectivity,
you worship the goddess of reason
while I bend at the altar of intuition,
Concrete facts are all you have eyes for
while I dote on tangible essences,
Self is my universe and I am embarked
on a conquest of inner space.
No! Material and spirit will never mix."
This put Science in rather a tight fix.
"The universe inside, and out, is our laboratory,"
he argued scientifically, sending Poetry flying.
"But I need you," he cried distractedly "I can't live without you!"
Then Poetry in her flight arrested, turned,
"Is this a fact or an essence?" asked she.
"I don't know," he answered ruefully, "Both, I think," he added truthfully.
Then smiling she gave him her hand, and through the doors of perception
together they intuitively and reasonably went.
Broken Wing
When she said
enough,
the happy flight in his eye
broke.
She could hear
the cracking of the bone,
shedding of white feathers
drooping on her flesh,
fraying the corners of her soul.
The engulfing of her hands
in his
did not bring back
the glimmer in the blue,
and one of the birds
in the dense, trembling wood,
the one with the happiest
longest whistle,
stopped its song.
But the maiden with the green eyes
and dark lashes,
is not made to be a
breaker of wings,
she is made for song
and for laughter,
she yearns for the wings
to flap again in delight
in the blue,
without breaking
her own.
David and Bat-Sheva's Cave in Ein Gedi
Silvery peach-colored clouds
Flowing in unending flock-row
Rippling through ice-cream skies,
Fusing, mellowing, melting,
Growing, flowing...
Fresh green baby leaf
Delicate transparent curves and dimples,
Softly fragile,
Waving being in the breeze,
Growing, flowing...
Resounding tear in the heart
Followed by another, and another,
Moist, spearlike,
As in dripping cave
On Ein Gedi's slippery cliff,
Where David and Bat-Sheva
loved and hid --
Growing, flowing,
Submerging.
My beloved is unto me
as a cluster of camphire
in the vineyards of Ein Gedi
Song of Solomon 1:14
Ein Gedi, June 1972.
Clouded Almond Flowers
Your gaze was like almond trees
on slopes of violet-patched
Biblical mountains
I touch it still
as my Jerusalem
over the amber horizon,
or dancing cheek to cheek
"You are part of me."
But now,
with the rumble of guns,
the tune of your eyes
is again heavy-hearted,
gray clouding
our almond flowers
Tell me my love,
how can I
uncloak the clouds
on our white almond flowers?
Twigs Not Roses
You hand in my hair
planted twigs
not roses,
you whispered:
"there are no roses
around here
but you."
I kissed the
twig-bearing hand
as if it bore
all the crowns,
laurels, and flowers
in the land.
You are the garden
where I dream
full of trees, love and roses,
the lake where I bathe
among the beams of souvenirs.
In the heart of my mind
I again kiss
the twig-bearing hand
as if it bore
the finest ring
and richest chalet
in the land.
The Slits On My Arm
At the traffic light
of my life,
when you caressed my hair
and touched me
through slits of my cherry shirt
with gentle silky finger,
as if there were a rose framed
in each small window on my arm --
I drank your sounds deep
of awakening roses,
light flowed sky blue
from your eyes
and flooded all
the shimmering tongues
at the source
of my being.
One Way Journey
We have traveled deep,
There is no return.
Every bone
of your frame
has found its nook
in mine,
has caught
cannot let go.
Every turn of your jaw
round mine
has pushed us farther
on the Carmel lane
of pomegranate exchange --
from which there is no return.
No words,
no reason,
no facts,
no laws --
Can stop our journey now.
Will Transplant
When you pressed
your heart
to mine
as if to sow it
under my ribs,
skin slipped
flesh spilt
currents flowed
measure of muscle
to muscle
The surgery was
clean
and final --
our wills
transplanted.
Psychological Wooing
I am glad
he does not
love
with his tongue,
for his words
can dangle
forever
in my veins.
I am glad
he never tells me
he loves
my face
or my body,
like he loves
the sun, or good wine
or flowers.
I am glad...
then why
do I hear in me
tears dripping
like rusty leaves?
The Three Gowns
I wore the gown
of laughter
and he smiled.
I wore the gown
of passion
and he frowned
I wore the gown
of anger
and he fled
Calmly
I re-adopted
the gown of
laughter
adorned with bright
distant jewels,
and he came back
nodding
a taste of pearl
moisture
on his lips.
But --
why does it not
satiate me?
Chest Protest
Interlocked deep,
curve of chest
in chest,
flesh protests against
apart
in human sounds --
knuckles
Cracking: you are part
of me.
Bone and muscle
know
what we do not fully
yet --
there should be
no cleft.
Your Name
Bells in hollows
peal your name continuously,
on artists' books,
on shop signs,
even on cans.
Landscapes stealthily
adopt your tones and colors,
conjuring lithe deer walk,
secret charm.
The bells play mysterious
symphonies
transfusing your sounds
into blue space
running
to my heart.
They are pealing so
loudly
now my love,
can you too
hear them?
My beloved is like a roe
or a young hart:
behold, he standeth behind
our wall
Song of Solomon 2:9
The Swan Search
I looked for your
in the streets of Paris,
every swift, fawn-colored car
recalled your lithe limbs.
I looked for you in the King's garden
at Versailles,
rainbow-colored begonias conjured
the patterns of our rainbow moments.
I looked for your
in every Chateau of the Loire,
every white swan
gliding hopes on Lake Geneva.
Every brown-roofed chalet
speckling the Alps became our nest.
I groped for the intensity of your agate eyes
in every mountain I encountered.
I looked for you everywhere,
but could only find you in me
everywhere,
in every urban
and suburban cell
of my existence.
Interior Camera
Is the touring as long for you as for me?
Do you also meaningfully exist
only by interior filming of me?
Far from the sunrise
of your eyes,
there is no picture my camera
cares to take or see.
This drifting among fragments
of city exposures, only develops
a thousand varieties of the source
of your smile.
Probing my skull's dark room,
I try to determine our position
in snaps black and white.
We are in this fix:
after this endless tour
there will be another
and another.
You stare beyond me at a los
accepting our present scanty shots,
while I, wide-eyed seek
further improved developments --
full length, real life,
panoramic
love films
I tangle in stray film, forth and back,
cannot shut the projector off,
pieces stream and leak
all through my veins.
Four Mad Dogs
On our green path
they send four brown and black
mad dogs, frantically barking
fury, leaping
convulsions at us,
their fangs frothing
billows of demented saliva
at our closeness.
But though with bloodshot eyes
they closely pursue,
they do not get
their prey.
We drive smoothly
through their clutches,
shut our windows,
enfold our arms tenderly
and cuddle still closer.
They always send
four black and brown
mad dogs with pointed teeth,
when they smell what
they do not have.
Your Real You
No, I do not fill my pen
with the moondust
and green lawns of my own mind
when I dwell upon you,
but in the limpid spring
of your real you
deep buried in your skin
And the kind of tune I play
is not what I want to hear
(as you maintain),
but the quiet sounds you are.
The shapes of light I draw
are not from my own sun,
but from their source in you.
I look at you
not only with the tips of my hands,
but with wide-open eyes and ears;
it is not the idea of your smile
I love,
but your real smile
lingering on honey lips and teeth
I know cannot only kiss --
but also bite.
So, if my pages
are wrapped with rainbows,
it is the iridescent effect
that you had on me, you see,
when your barbed wires dropped,
and you showed me the gentle spirit
in the tight-clasped fist.
Seaweed
"The bombs are not the cause of the problem, but only the symptoms of the
deranged thought processes of man's mind..."
Helen Caldicott
I grapple with the edge
of the taste
of seaweed and bombs
You have kept your
underground river away from me,
preferred filling your pockets
with pebble-bombs and seaweed silence.
You knew of your thirst
and my river longings - yet
not enough empathy for surging waves
not enough to break away
from absurd deterrence reasoning
and send it flying,
there's no cold war
anymore.
My fears
refuse to stay in port,
they fling pebble-bombs
and brown seaweed
like drowned hearts
full in my face.
Silver Mosaic Stone
I give you this small
glowing stone with silver mosaic,
chiseled from Lake Kinnereth's breast.
When you curl your finger
around its permanence, remember --
the woman who gave it to me
was ready to give me her summer too.
But then,
lethargy's manacles cried:
"We are not born free,
I am a slave,
young in years
but yet so old,
I feel eight hundred years old,
my will is buried with my father
in the grave."
"Is there no hope for us?"
"Only after the flood."
I am left with strings of
stone on my tongue,
So I give you this stone
full of me instead --
now lifeless in your hand.
Silver Wedding Rainbow in New York City
You lifted me up high
waltzed me past our friends' smiles
seated at white tables
around the rainbow room,
round and round
around the rainbow room,
until I could almost touch
New York's blazing
messages all around.
"Put me down!" I cried,
laughing silvery wedding laugh,
but you still whizzed me
round and round
higher than anybody
higher than the light
"Is this what a silver wedding
is all about?" I laughed
a further bell laugh,
while some of our friends threw
wistful glances
at your silvery support of me
higher than anybody
higher than the light.
I kissed you joyously
my quarter of a century
silver-wedding-husband,
round and round
rainbow around.
Common Bloodstream
You have strolled in me all year
all the length of my blue and red streams
until your folded lips
gently interlaced
the seams of my eyelids
I once tried to filter you out
of my blood,
but you bit firmly
and wanted in
Now you are so much me
my love o--
I do not know anymore
what is me
what is you.
In one kind of fish
the male attaches himself to the female
with his saber sharp teeth,
eventually they share a common bloodstream.
Boston Aquarium
Fragile
Part of me has left
to escape from you,
to grow whole again
like a smooth round melon,
after you dug English holes
in my pulp.
All of me is back --
I am whole again,
but lonely and need you.
This time my love,
remember I'm fragile,
please handle me
with care.
The stems that connect
my molecules
are like those of thin
wine glasses.
Be careful how you sip,
they break so easily.
Hard Nut
There is no scar
but only internal difference
where words seem to be written
with water ink
of unconvincing meanings
There is no scar
but confusion of vision and blindness
in my hard-nut mind,
and yours --
each wrapped in
its own newspaper full of
infinite limited notions.
Yet, we still choose to drive on
together in the wind,
tumble in the same car,
kiss the same ear,
stroke same sand-dune back,
enter each other's wooden curves,
each other's vision
each other's blindness,
we still choose to drive on
tenderly
in the wind
Sunflowers
We did not know
We were two rooted
Sunflowers
With falling seeds --
Until
We tried
To move
The End
I wonder
about the end of things,
my finger curls
around the root
of an essence:
when and where
our love will ever
cease to be
the sap
I constantly breathe,
like a one time
glowing asphodel
fossilized into stone.
I dread whether a time
will come when your being
will cease to be
a Sabbath part of me,
when your hand
will cease
dissolving
into mine
like a honey bee
into a hyacinth,
when you
will just be you
and I
will just be me,
like two lonely
rocks again
at the bottom
of the sea.
To Leave You Now
To leave you now
would be an
amputation,
I would survive,
but there would
be
less
of me.
Part Two
WOMEN POEMS
NOT IN YOUR MUSEUM
ANYMORE
No joy-denier can deny me now.
For what I have is undeniable
I inhabit my own house,
the house of my joy
Erica Jong
Loveroot
Woman of No Time
I am the woman
Who has no time,
I envy those who have
They envy me for having none.
My desire is to plant forests
But I only manage shrubs,
I want to run one million races
When I barely manage one.
Yet I know I'm not a fly born in the summer dawn
And dead in the afternoon,
My day is a pomegranate
Full of ruby grains --
Time must be my friend!
Stopping me from tasting them all at once
So I can enjoy them one by one.
As long as each grain is a lifetime
I do not care if I am the woman of no time.
Assa and Farah of Isfahan
"Werever I am,
Farah likes it"
Assa announced
With bubbling male pride,
His young beard and tongue husky,
His eyes gleaming in the 'gaz'
nougat-nut atmosphere
of a Persian miniature.
Farah nodded a violet nod,
while her brown chestnut hair
became a shade sadder
against the giant copper kettles,
and through the notes
of 'Hey Hoda!' -- 'Oh my God!'
she whispered in my ear:
"You look happy,
I do not know
many happy women."
Isfahan, February, 1972.
Muffled in Your Halachic Caresses
I was a bandaged Golem* in an ancient ark
waiting centuries for you to open the door
when you could spare the time.
I remember Rabenu Gershom bravely
killing the dragon of polygamy
who was strangling me far back in the tenth century -
giving me the right to say
to my divorcing husband: yea or nay.
Where are the Rabbi Gershom of today?
Oh where are they?
For ten centuries I have been waiting
in this stifling museum
for my equal right to be a witness, to testify
in my own ark like Deborah to be Dayan.**
But no more - I'm alive and awake
not a bandaged Golem anymore
not a slave, not a child -
time to untie sterile bandages grown musty
Time to open the ark wide
and tread the earth again
in search of the ripe pomegranates of today -
I don't belong to your museum anymore.
______________________________
Notes:
*Golem: Dummy, robot, idiot.
**Dayan: A rabbinical judge
A Ladino Song
Again, and again I am there, though I am here.
In that Aranjues wine-cellar in Toledo, leading to
a gray corridor winding towards the river
Since that mustached shop owner showed me,
smiling beneath his quaint flower-print plates, the
ancient eight-branched Menorah he found in his cave
dropped by my Jewish ancestors, fleeing the wolves
of the Inquisition - I cannot leave that Aranjues cellar.
I am still there with the Menorah though I am here.
I tried to fell to that caffe in front of the synagogue
which has been turned into Maria Bianca's church, but I was still
there. Then a singer, named Ada, with a deep "fatho" soul
sang a Ladino song, my grandmother sang to me: El pasharo se
vola "the bird has flown, the heart is crying, weep my soul weep
deep, for there are bad people who will not let you life...."
An Aranjues shiver ran down my spine, the floor
opened its ancient arms and I sank into the cellar again,
ran in the corridor again, now closer to the river
flying with the bird, weeping with the fugitives
but still holding the Menorah
tightly in my hand
I am still there
though I am here
Real Abishag
What Abishag really thought, blossoming fifteen-year old
lying taut wide-eyed on kingly bed silent
at the side of old King David, was--"What bad breath he has!"
Father bade me hold my tongue and go to the King in Jerusalem.
Mother wiped my tears with soft words
said I should be proud to be the chosen one
among all beauties of the land to warm royal bones
but they didn't tell me what breath King David has!
His handmaids taught me how to touch him
how to caress and revive
His courtiers showed me how to smile, how to give life --
so that they could live, keep rivals at bay.
They decorated me queen-bride fragrant like mint
brought me trembling to the royal bed,
but I can't touch, can't smile --
The poor King smells like the carcass
of the once noble beloved horse in our neighbor's field in Shunem.
Before it died, the farmer covered his horse
with a sack to warm his bones back to life --
but the vultures came anyway.
I am the courtiers' and handmaids' sack --
Oh God! What breath King David has!
It smothers me, it chokes, his breath
mother, it strangles me, I shall die, O God!
Will it ever, ever stop?
Stop.
In the morning just after golden dawn --
King David was no more.
Lost Living Goddess of Nepal
Pretty ten-year old
little girl
a full-fledged goddess
at the foot of the Himalaya
Wooden palace
and crowned head
earrings and make-up
cannot hide your sad smile
at the foot of the Himalaya
For you know
the day would soon come
when blood
will flow
and chase you
from your palace at the foot of the Himalaya
A goddess no more
you will descend among humans
once more
who will want you no more
a frightened little girl
has lost her childhood
at the foot of the Himalaya.
Katmandu, Nepal
Loss of the Milky Way
In the land of milk and honey,
milk shut me out forever.
My doctor calls it allergy
and I call it tragedy.
Your enzyme for that one
is dead, he kindly explains
But how did he die? I protest in dismay,
I still love him so with his mounts of choco
ice-cream and cake, cheeses and butter,
I desperately mutter.
You may still love him, the doctor nods,
but he surely does not love you.
I mourn goodbye to the Milky-Way
and staunchly climb my winding path
vowing solemnly:
Though all my land has emptied of milk -
I will fill it with honey.
Mexican Amanecio
Mexico has "Amanecio" -
has brought me the true story of the rising sun
filled with sunlight night memories
of her tragic, conquered Indian past
which has filled my inner world
with powerful Aztec sun Gods and Mayan Pyramids
And in the present, her life-force
in the shaded eyes
of poor, barefoot children
kissed tenderly by warm mothers -
before they are sent to sell illuminated paintings
of rich Mexican landscapes
in flashing orange and golden colors -
still bears the scars of her conquered past
I now wear Mexico's dainty pearl necklace
Around my tourist throat
Woven by a little Mananita with pearly eyes -
"Mire que ya amanecio!" flashed her smile,
The sun is at last rising again ...
Mexico, your hacienda kindness,
Your warm vivacity, your awakening energy -
Has filled me with hope
That our world at the end of this mushroom
Century will at last fully "Amanecio"
Lavishing food and education - not arms -
On all the hungry, smiling children of our world.
In memory of the XIV World Congress of Poets
Monterrey and Mexico City, August 1993
Las Mananitas
You are yourself dear Elia
One of those flashing black-eyes mananitas
Sung by King David, in your moving birthday song
What a surprise to hear my grandmother
Regina's Ladino cradle song
Crowned national Mexican Birthday Anthem,
Sung by cheerful Maryachi in quaint artist cafe
And in colorful, melodious Garibaldi Square -
Did the Marranos bring the song over
The scarlet oceanic waves
When they were banished from Spain
To the redeeming, blazing sun of Monterrey
That dogged them and us
Closely night and day?
Despertia! You taught us, "Me bien despierta ..."
And we woke up wide-eyed
To the rich beauty and tragedy of historic
and present-day Mexico, flashing through
Your blazing eyes and palpitating red lips -
Frida Kahlo's dramatic paintings
now flow in my own veins
Whispering urgently "Despertia..."
Fine Mananita friend, you poignant love of humanity
Perfumed with Aztec flowers and incense poems
Has perfumed my life ...
Daughter of Sinai
They have come again with their washed faces
And their green and yellow bags full of goodies,
But not for me little Sulha of the desert
Nor for my three greedy brothers.
"Toda raba"1 is a magic word
For opening those bright treasure bags
From which we get "khobs"2 and biscuits and sweets,
Meat and cigarettes, coins, smiles and frowns.
This one looks at me demandingly,
I shall not let her take my picture
Unless she pays me the required snap-money,
I cannot squander my image so.
My black eyes dart looks of "Khutspe"3
My tiny mouth curls in defiance.
I hide behind my brothers
And shout the noise of the desert.
They are all gone, swallowed by their big blue giant camel,
Those strange creatures from beyond the desert.
Could I just once venture to their nylon bags' spring
I would bring back piles and piles, numberless as the
sands of the desert.
__________
1. Toda raba: many thanks (in Hebrew).
2. khobs: bread (in Arabic).
3. Khutspe: defiance, cheek (in Yiddish).
Massada
I was at Segera, she said,
With a historic look
Two thousand years old,
Flickering from her wan, freckled face,
Each freckle a wrinkle of wisdom --
I was at Ein Gedi too,
and I had to come back home to
Massada.
I looked at her aged booted figure,
A disquieting feeling nibbling.
Could she make it?
She was so much part of it --
Yet so out of place,
With her burden of four score
and her frail, frail Itsik
Wobbling stoically behind her, to Massada.
"I was often here before."
Her voice had the sound of the mountain.
"You young people do not understand.
You cannot understand the meaning of coming back.
I had to come back as before... before I go."
And she embraced the tortuous snake climb
Each heavy tread bringing her closer up
To Massada.
I felt guilty for letting them continue
That which might shorten their days.
She was nothing to me -- I was nothing to her.
Why this gnawing feeling for this mounting rock
That would not abide?
I argued, and offered my hand, but to no avail.
The winds flapped the gates of her ancient memory,
And she generously offered me the inside of her eighties.
At the center I read -- Massada.
I turned my back on the aged couple, in despair,
My feet doubly aching, for me and for them.
At the top of Massada, I had no more wish
To inhale the mystery of ruins, than to find out
What had become of them, the human ruins.
Had physical weakness overcome will-power, this time?
Had they collapsed on the way like desert rocks,
Joining Massada?
Then suddenly she surged from the brown cliffs,
A triumphant white apparition.
An exuberant look of sublime joy
Illuminated her old, old face
In a radiant way I shall never forget.
Then, I knew it was wrong of me to have tried to stop them;
Ancient mute cries sprang from the mute ruins:
"We have come back home! Massada has fallen,
Massada will never fall again..." she looked.
Arturo's Rubenstein
"The power of Creation seems to favour human beings who love life
unconditionally, And I am certainly one who does..."
Arturo Rubenstein
Today you are ninety Arturo,
and you play us your Rubenstein
fingers lovingly enlacing
life's hidden allegro
"Everyday is the happiest
one for me,
living an intensive life
is my secret --
I've never met a person
as joyful as me."
My friends wink and say,
"Perhaps that's because
he's never met you --"
I'm not sure they're right'
then I think of your dazzling smile
my love, suffusing my sky with symphonies
like fresh rain on scorched earth,
and am filled with --
Glad to meet you,
dear Mr. Rubenstein.
If a White Horse From Jerusalem
If a white horse from Jerusalem
Straight from Jerusalem
Strides so valiantly, gracefully,
Like yearning,
The early dawn hours
Of my Haifa street,
As if it were the ocean
As if it were the sky --
Then all is possible
Perhaps it has come to take us away,
He will wink a golden wink
And you will lose your glue
For chains of sand and fly with me
Perhaps before my hair falls
Before my teeth fall,
and I stop wanting to fly with you,
Before my breath whistles
Before I die
Perhaps it will take us
On his white wings
My smile in your palm
Mine in yours --
To Mexico, Majorca,
Or even Eylat or Ophira,
Then back to Jerusalem.
For if a white horse strides so valiantly
in my Haifa street --
Then all is possible...
Part Three:
A GARLAND OF GRAIN
Mamica
You never read Rousseau's "Emile",
yet knew it instinctively
by heart.
Let us roam barefoot
in golden fields of home,
sleep with open windows wide
Gave us all you had
with two full hands
of bedstead copper angels.
Sometimes you forgot to eat,
but never to feed us.
Whatever we did or said
was a diamond mine --
you children were your little gods.
Even when I left you and France
for a country I loved,
you were not hurt or angry,
gave your daughter to the kibbutz
with a smile followed by a tear.
Today we worship you in return,
like a queen emerging
from Paris metro's belly,
to Bat-Galim, daughter of the waves,
queen of the waves again
as in Alexandria --
mothr, mamica, standing on a shell
crowned by love.
'Mamica' is an endearment for 'mother' in Ladino.
Graffiti Under the Table
I turned our kitchen table
upside down
to paint its legs white,
on its belly
scribbled in red oil crayon,
babyish letters glared
"Ariel is a good boy."
His quaint graffiti
tear-blurted
on the inner screen
wistfully protested
self-preservation,
probably against me --
for having scolded him
for not washing
his chubby fingers,
or not eating fish
or spinach.
The plump red words
staunchly stood
beneath the table
on the hidden screen
braving the years,
as love stands
on a slapped face ---
slapping mine
across the years.
Son On His Own
Twenty
years ago
as if yesterday,
your baby forehead --
Puck!
bumped into mine
seriously in play.
Today,
in your honey beard son,
you have gone to a home of your
own
a mate of your own,
you stand beyond me
straight,
and beautiful,
and distant,
as if I had given birth
to a smiling traveling butterfly
intent on his way
Smile on Mount Carmel on Rosh Hashana
Redhead Shani,
Like a russet sunrising
Under cloudy pines
Under needles
Among cones --
Smiled to me today
A honey and milk smile
Sculpting my flesh
With dewy eyes.
Little red-white flower toes
Skip the air
Hand praising, staccato,
Like a fairy baby
Waving invisible wands
Feasting my look.
Tiny Shani smiled --
And all the world opened,
All the trees, all the cones, all the needles,
All the world smiled back
From the pine clouds in me,
Nodding with wondering dewy eyes:
Yes, yes, all is yes.
15 Sept. 1977
From Grandfather Papou to Grandson Idan
Papou,
Good news on the tail of the wind,
Your granddaughter's grandson
With cute Beatle hairstyle --
Like you, is born in Israel too.
A mount of Mazel Tov papou, wherever you are.
You, born in nineteenth century Yaffo,
Jew -- wandering among the nations
On the Medusa raft:
Three generations on the Nile,
then the flowing Seine
And domed Milan
Your idealistic granddaughter
Back to Israel --
And now Idan, papou,
Idan is here
Closing the five generations
Cycle roots
From Yaffo to Haifa.
This time papou,
Not with a ribboned box
Of Cairo's Groppi
Melting fondant sweets
With walnuts tasting of evanescence,
But with almond kernels
In strong shells.
Roots planted here --
this time for good,
For good, papou.
Time in Abadan:
Homage to Omar Khayyam
Life is but a checkerboard of nights and days / With Destiny for pieces plays/
He moves, he mates, he slays / And one by one / Back in the box he lays
Omar Khayyam, Rubayat
In green, peaceful Abadan,
the long longed-for treasure
flowed profusely into my lap,
fluid more precious
than its black gold --
the pure transparent gold
of Time.
Time to think what Omar
really meant when he wrote:
"While you live
Drink!
for once dead
you never shall return."
Time, like him,
to adjourn to this "earthen bowl"
under two shady palm trees,
"My lip the secret well of life to learn."
Time to mark the remarkable lines
with a jasmine exclamation,
and slip a Persian miniature
on their depth.
Time to open one's long arms wide,
and perform the unique feat
of listening closely to one's pulse --
and wonder
at its pace!
Dear Descartes: Creativity
Dear Descartes,
Not only "I think, therefore I am,"
but mostly:
I create, therefore I am.
I am me for having given birth
to them, this, and you.
I gaze intently at my offspring,
my oeuvre,
launched for life, for death?
Vibrating sharp soft sparks
of magnetic birth,
marvellously quenching my desire
and thirst --
pure essence
of fresh vitality.
Saul Bellow: Get Out From
Under My Pillow
Dear Saul Bellow,
please get out from under
the existentialist creases of my pillow,
where you have been lurking
these past five years.
Praise you,
for having strengthened me
in brushing aside the doom sayers
with their pipsqueak religions
of void and gloom --
for your wise words
clinging like ripe peaches to my cells
But now,
please move from under my pillow,
for I'm a freed prisoner
of my Ph.D.
The time has at last come
for me to pass my own words along,
to try myself to
"Seize the Day,"
instead of merely dissecting it.
At my cross road, I send you
A library of thanks
Nobel Saul Bellow
for having been my close
and staunch, learned companion
these five full
Rain King years.
Not Old: Saul Bellow Indeed Knew
Even Mr. Sammler
that one-eyed septuagenarian
was not too old to be involved in his planet
"But I feel a hundred years old"
You young mensch who have saved
your eye from oven
have a full store of ripe pomegranates
if you only care to pick them
"But I feel a hundred years..."
Why can you only carry
the heavy public banner
and not your precious
private loved one?
"But I feel a hundred..."
Remember what Ramona said to Herzog?
"An old man smells old, your smell is young"
"But I feel..."
A woman can also tell
from the spring of a sunrise smile
in deep blue eyes
like violets on Mount Carmel,
and the breath of a caress
like a flaming russet bush.
Saul Bellow indeed knew.
Spineless Academic
The sleek academic,
what a jelly-fish mess!
His small, round, shallow eyes
blurring out an avalanche
of water-words
over his decaying
piscivorous teeth.
He is incontestably,
a perfect specimen
of the refined image
of carp
piscatology is trying to rear
in the civilized, artificial ponds --
sleek, smooth, and almost
spineless.
Take Us To Soweto
Dedicated to the African Black Poets I met in Johannesburg, at the American
Embassy.
"Every gun that is made, every warship launched, every rocket fired signifies,
in the final sense, a theft from those who hunger and are not fed, those who are
cold and are not clothed." Dwight D. Eisenhower
Lady from Tel-Aviv, lady from Tel-Aviv,
now that we've read together,
now that we've cried together,
please take us back to Soweto,
with our poems "abalonga goddam"
full of cried of crippled children
full of anger
wrapped in pain --
please take us back
to Soweto
If I only could, would have taken you
not only to Soweto --
but to where the leaves'
free rustle roams,
where poems grow ripe
before they grow hoarse.
But then, I'm not even
from Tel-Aviv,
I'm only from Haifa --
and have no car
to take you to
the leaves' free rustle,
or to Soweto
Johannesburg, May, 1977
In Your Museum
Embalmed in your
Mummifying caresses
I was a zombie
A bandaged mummy
In an ancient sarcophagus
Patiently waiting centuries
For you to open tthe lid
When you could spare the time.
But no more,
I am alive --
Not a zombie
Not a mummy anymore,
Time to untie sterile bandages
Grown musty,
Time to open the lid wide
And tread the earth again
In search of rolling
Pomegranates.
I don't belong
To your museum
Anymore.
Papyrus Fan
I decline the honor of being
Your impeccable sabi anymore,
To wobble gently, obediently,
In your footsteps,
With painted face
And high-heeled shoes,
Holding the luscious papyrus fan
High up to your ego.
The heat is as stifling
For me, as for you,
And the fan whispers
The same promises to me.
So what about holding it
Up to me
For a change?
Or still preferable --
It is so heavy anyway,
What about holding it
Together?
Mimosa Equality
I wait for the day
blossoming as a mimosa,
when half the world's presidents
will be women
with hair flowing cosily
around every cry
And the sun will shine
on all mortals
with equal golden rays
in every green field,
every printed book
every human look
A Jewish Woman's Prayer
Bless you Oh Lord
for having made me a woman,
for if you had made me a man
I would have had to pray:
"Bless you Oh Lord for not having
made me a woman."
Daphne
I did not know
Bernini's Daphne
was in my own woods,
my Mount Carmel,
one moist afternoon
poised on legend green
stillness
Her face
a flower in curved sorrow
tilts backwards,
flowing shoots
fan the earth,
while leafy arm-branches
raise twig-tips
in veined supplication
towards the sky
blowing
anguished seeds
of yearning germinating
in my own soul.
I grow roots in
Daphne's static soil.
Love Games
Sorry. I took it seriously.
I put you at the very top
of the ladder, up there with my breath
and the sun --
but did not get warm.
For you, I way lying somewhere
in the middle rung
with movies and games
you play once a wweek
then brush aside
when something more important sprouts.
No need to worry about games,
They're always there in the cupboard
waiting breathlessly
for the playboy to open the door.
But no more --
I have adjusted my scales
to fit yours,
and am ready for the game.
And anyway, games are so much more fun...
Be careful,
I've started to play.
Crumpled Curtain
It is all sadly crumpled again,
its beige folds painfully
jerking one another
in silent protest,
sticking its frayed angles
like protruding nerves in a heap.
You have again pushed it
back callously,
with stout unfeeling fingers
disturbed its smooth flowing harmony,
one fold after another
painfully crying out its
testimony --
This is what
you often do
to my feelings.
Mother, Kikuji Is Again
With the Geisha Girls
Hai, squid and seaweed in bamboo boat.
Mother, what is she doing to my husband,
rubbing his chest and leg and ego?
Hai, jelly fish and seaweed in roasted eye.
Mother, why did you tell me
they are just psychological hostesses
sometimes singers and dancers, but nothing more --
If a psychologist caressed my breast and leg
wouldn't Kikuji be annoyed too?
And when I need a psychologist, mother,
whom do I go to?
Hai, crab and seaweed in parching mouth,
which unlike yours and granny's
refuses to be custom-choked.
Mother, oh mother, I'm so lonely when he goes
to the geisha girls.
I dangle a thousand million cranes for the day
when the geishas will rise from the tatami
in their rose-winged kimonos,
mount the bamboo boat
and float
straight out
of our lives.
Hokkaido, Japan, July, 1976
Chameleon
You raise your voice:
till when will you agree
till tomorrow morning?
You see me
as a chameleon with rolling eyes
who changes color skin
at the touch of your voice,
then goes back to
ignorant insipid colors
on other lethargic
backgrounds.
You want to reveal
your world of ideas
before my fractured chameleon eyes,
to cut through my wrapped vision
with translucent truth like
crystal balls,
rage
when I do not
pick them up.
But I'm not a chameleon,
I'm me.
And when I agree,
it is only to the nuances
of some of the angles
of your words.
not all their colors
not all their reflections.
I have my own colors
my own reflections
rooted in me
as deeply
as yours.
When I try
to disturb a new perception
in your clouded eyes,
I don't consider them
blind.
You have a right to your bushes
as I to mine.
My darling,
they have cut down
our Daphne tree,
don't let us
continue their cutting job.
Help each other
despite our different colors,
not cut each other.
I'm not a chameleon chameleon,
you're not a chameleon chameleon.
Not Even On Her Birthday
One buzz on.
They said they would take her out
to birthday-dance.
this time they sounded they really meant it,
could not possibly void-postpone.
Two buzzes, off.
They jammed her birthday tears deep in throat,
throttled her slotted expectancy,
callously tore up her sleep's road
with Turkish coffee.
Three buzzes on off.
Did she imagine for one
smiling-moon moment
she could keep her hours' bliss intact?
Forty four years
forty four buzzes off, off, off.
She lay livid in white sheets
her liver swollen
to once and a half its normal size,
while future years
waltzed away like flowing sand
through her numb groping fingers,
buzz after buzz, after buzz,
all merely buzzes.
She did not believe them anymore.
Would never be caught
in their buzz-traps again.
Last buzz off.
Free Lioness
Recoiling
Gauze over wound,
From biting teeth of later
Choking of pushed, aside,
As if she had gobbled smoldering coal --
The lioness paces, plots,
Thunders --
Then erupts in full glory
Smashing gilded filaments,
Air-poised paw
Mane aglow,
Full queen of her dazzling
World again.
Climbing majestically
To the height of her green splendour,
She gazes around superb
At her numerous forsaken subjects.
Shaggy head raised
Amber eyes shooting,
She roars her mighty royal paean
High up into the deafness of mute sky,
Pulls it like a carpet,
And shakes its stars
All over our crazy world.
Upright
I gazed entraptured
At the tide of children
circling gaily and waving limbs
To the beat of a tambourine.
"Choose your gestures,"
The teacher's voice
Floated loud and clear
Above the barefoot din.
As by magic,
The children divided
Into those with bent backs
And those who crawled on fours.
Except for the odd one
Who stood his ground,
Looked to the left, looked to the right,
And preferred to remain upright.
Shani
Golden-ginger curls,
peach fists in incubator
holding year two thousand in one,
and us in the other.
Shani
promising as the bright scarlet light
in the horizon over the sea,
you will be twenty three springs
in the twenty first century.
How will our world then be?
United, warless?
every tear wiped
in every hungry eye?
Equal opportunities for you
as for him?
You calmly lie in your
jeans-colored uni-sex perambulator
smiling your mother's smile
enveloped in your father's glee,
and wave a tiny arm
reassuringly.
How come I already
love you
Shani?
21 February, 1977
The Roger Dance
The Roger dance is not over,
when you dance this way - it's forever
Graceful, elegant steps,
charm and majestic poise
legs nimble, stretched
arms curved, yearning to grasp
the bizarre whims of strange humanity
With a knowing, tender, witty, wistful smile
you lead your dancing partners
into your enchanted world
where cardboard becomes gold
where hatred becomes harmony.
They told me Roger, Heraclitus,
"they told me you were dead
they brought me bitter news to hear
and bitter tears to shed,
I wept as I remembered
how often you and I had tired the sun..." (1)
with dancing and sent him down the sky
For when you dance this way
through life, through words, dear Roger -
your unique performance
is with me, with us, forever
--------------------------------------------------------------------
(1) The lines in quotation marks are from Tennyson's poem on the death of Heraclitus.
In addition to his being a great poet, Roger, who was a peace-loving Bahai, was a
member of a ballet company and appeared on Canadian Television. He died from
cancer, in 1994.
Triple Thread
To believe in what?
In the seed.
To do what?
To be.
Why do I live?
To give.
Shin Shalom
Translated by Ada Aharoni
Idan and the Waves
The three year-old big blue eyes
the color of the sea
gazed with wonder at the waves
and then at me,
sitting on a rock in Bat-Galim
the Daughter of the Sea -
"Why do the waves run away,
run away, every time,
away, away from me?
And where do they go
when they run faraway,
faraway, all the time
away from me?"
Dear Idan,
even then, like now, your curious brain
already thirstily
asked and asked, trying
to seize the flitting essence
of waves, of peace, of wars,
even then like now,
your big blue eyes
the color of the sea,
tried to grasp the ungraspable
meaning of each retreating and advancing
frothy bubble
in our turbulent sea.
Back to Home Page.